Magazine

Gwyn Emberton Dance: My People

Read more ...{extravote 4} At many of the shows I've seen at this year's Edinburgh Fringe, the programmes aren't handed out till after the show has ended, and Gwyn Emberton's My People definitely benefits from having access to the programme notes beforehand. My People is inspired by a collection of stories from Wales's 'best-hated man', Caradoc Evans, and despite the very rich imagery of the stories Emberton uses, they depict such levels of pathos and cruelty, it can be hard to follow the specifics of each story: for example, the programme notes for 'Be This Her Memorial' tells us that 'Nanni sacrifices herself, for the respected Minister, Joshua Bryan Bevan, and is left to have her face eaten by rats.'

Add a comment

Read more ...

Marc Brew Company: For Now, I Am...

Read more ...{extravote 4} Marc Brew is a leading choreographer and director, with his works performed around the world and he is also the Guest Artistic Director of AXIS Dance Company (Oakland, California) and the Associate Artistic Director of Ballet Cymru. While he creates work for both integrated and non-integrated dance companies, in For Now, I Am... he revisits the terrible accident which paralysed and nearly killed him at the start of his career as a ballet dancer in South Africa.

Add a comment

Read more ...

2Faced Dance: Dreaming In Code

Read more ...{extravote 5} Before we're allowed into the auditorium for 2Faced Dance's Dreaming In Code, we're informed that the show is a triple bill: two performances sandwiched by a brief dance film. Both pieces explore the impact and legacy of dreams, through physical theatre and Tamsin Fitzgerald's fusion of dance styles.  

Add a comment

Read more ...

Joan Clevillé Dance: Plan B For Utopia

Read more ...{extravote 4} An international dancer, teacher and choreographer, Joan Clevillé has recently established his own dance company Joan Clevillé Dance in Dundee, and this full-length work Plan B For Utopia is a playful look at people's dreams and wishes, performed by the very very well-matched Solène Weinachter and John Kendall.

Add a comment

Read more ...

Company Chameleon: Beauty Of The Beast

Read more ...{extravote 5} Some shows are worth seeing more than once, and Company Chameleon's Beauty of The Beast is one of them: I should know; this is the fourth time I've seen the show, in four cities (Manchester, London, Leeds and now Edinburgh). This is the most intimate setting yet, in Dance Base's Studio 1, where the show is barely contained in the space provided.

Add a comment

Read more ...

Dance at the Fringe 2015

Read more ...The Edinburgh Fringe Festival is upon us yet again, and we're in luck, this year: as it's a British Council Showcase year, we have a surfeit of dance companies and dance artists showing their work throughout August. In addition to the British Council Showcase which takes place at the end of the month, we also have The Place presenting a showcase of their own for the first time, and Coreo Cymru returns with their Welsh Dance Strand programme, presenting several works by Welsh artists. There is also a Taiwanese dance showcase at Dance Base, as well as an integrated dance showcase, called iF (Integrated Fringe) Platform, showcasing five of the best integrated arts companies from the UK involving disabled and non-disabled performers.

Add a comment

Read more ...

PanicLab: RIOT

R.I.O.T. - PanicLabDisclaimer: half an hour before seeing PanicLab's RIOT, I'd heard the news about spectacular dancerJonathan Ollivier being killed in a motorbike accident; I'd hoped that RIOT could take my mind off the shock and grief, but it couldn't, not completely.

RIOT is the third PanicLab work which I have now seen in the last few months, and it's the second work (as the first one was a solo for Jordan Lennie) which involves director Joseph Mercier beating up Jordan Lennie. There's a starting place.

Add a comment

Read more ...

Lost Dog: Paradise Lost (lies unopened beside me)

Lost Dog 343x343 photo by Zoe Manders 300x300{extravote 5} At the end of Lost Dog's performances of Like Rabbits at The Place in London last October, the audience was treated to a trailer of what seemed an improbable if not impossible next piece: an adaptation of Paradise Lost. Hesitant, awkward, somewhat madcap and mostly hilarious, Ben Duke introduced the outline of the piece, enacting some of the proposed scenes, such as a nervous God chatting up bad boy Lucifer in a pub. And that eccentric 15-minute trailer has evolved into an eccentric 70-minute full length solo, performed at Summerhall every day at 4.40pm.

Add a comment

Read more ...

Igor & Moreno: Idiot-Syncrasy

Idiot 300x300{extravote 5} One of the joys of the Edinburgh Fringe is getting the unexpected, which is certainly what Igor Urzelai's and Moreno Solinas's Idiot-Syncrasy delivers in spades (alongside a free shot of whisky). While repetition and minimalism are not for everyone, this show has rewards in store, and not just in liquid form.

Add a comment

Read more ...

Zosia Jo: Herstory

zosia{extravote 4} Zosia Jo's 'Herstory' is part spoken word, part dance: Zosia wanted to find a way to bring together her performance poetry and choreography, and the result is an engaging and endearing show which is accessible to all.

Add a comment

Read more ...

From Gracefool to ProDance

Today was the final day of the Gracefool Collective's pilot season of ProDance Leeds, providing thrice-weekly professional dance classes, so it seems to be an auspicious day for them to be the subject of the first of a series of features on regional artist-led initiatives to support dance artists within their local communities.

The dance industry of Leeds has gone through several transitions over the last few years; in March 2014, the 'City of Dance' campaign was launched, aiming to showcase Leeds as 'the dance capital of the North', and a few months ago, Yorkshire Dance and Northern Ballet advertised for a consultancy role to help promote Leeds as a hub for dance.

Add a comment

Read more ...

Enter The BENCH

Read more ...As we all know, the issue of female choreographers is one which has been haunting the dance industry for many years: while a lot can be said and done about it, not much has been said and even less has been done over the years.

Again, as we all know, the root of the problem is that we're working in an industry which is predominantly female yet the opportunities, recognition, commissions and awards typically go to the disproportionately small male minority. (Someone recently pointed out that New Adventures's original publicity for the next round of their Choreographer Award somehow omitted their two female winners from their mention of past winners; this has since been amended).

The topic of female choreographers is a proverbial iceberg in its own right, encompassing so many issues and areas, which is one of the reasons why it's been so hard to tackle this problem properly: because nobody understands it fully, and unless you understand what the problem is, it's hard to address it successfully.

Add a comment

Read more ...

The Rural Touring Dance Initiative

Read more ...The Rural Touring Dance Initiative was launched today at the National Rural Touring Network's Annual Conference; although around four to five years in development, it was largely instigated by discussions at last year's conference, which also held the first ever NRTF dance showcase.

This is a new scheme which aims to address the current underrepresentation of dance in rural touring across the UK through offering residencies, seed funding, a £45,000 production award, workshops, and selecting eight artists or companies per year whose work will be toured between 2016 and 2018.

Add a comment

Read more ...

Ode to Trains

travel tourism railway ticket fare ticket train ticket train station mtun1001 lowOne thing we are used to in dance is the too-short runs which most shows have (unless it's a Matthew Bourne production), which typically leaves people with only one or maybe two chances to catch a show before it goes. And if you miss that chance to see it but really want to see it, what do you do?

Add a comment

Read more ...

Out, Damn Clot

families vampires families dinner time sons eat ksm0306 lowSomething different, for a change. Those of you who follow me on Twitter or are a Facebook friend will know that I've recently acquired a surfeit of blood clots, so I might as well write about them - seeing as I can't do much else while I wait to recover from them.

To most people, blood clots seem to be mythical beasties of sorts, which rarely exist outside of those lists of potential side effects. When we do hear about them, it's usually because someone's died from a clot: the Grey's Anatomy fans among us will never forget Denny's untimely demise due to a rogue clot. Damn. Other notable deaths include those of Frida Kahlo, James Stewart (actor) and Charles Chaplin Jr (son of Charlie Chaplin).

Add a comment

Read more ...

The Beauty of Portfolio Careers

dollyDucks and water. Cats and milk. Tequila and lime. Chips and gravy. The Place and Mabel's. Yorkshire Dance and The Wardrobe. Beer and pretty much everything. Me and sofas. Some things just go together so naturally well. The same goes for the terms "dance artists" and "portfolio careers".  

I don't actually remember the first time I heard the term "portfolio career": it's been an established and accepted fact of the dance industry for that long, and it's a topic I discussed with Newcastle College's dance students a few weeks ago. I talked about how rich and rewarding the work is yet how crap the pay is, and they asked why people do this: because we love it. But also - which I didn't tell them - because we have no choice.

Add a comment

Read more ...