Home Past & Future 2007 Fly By Night
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Beyond Repair Dance (2007) PDF Print E-mail

 

Beyond Repair Dance
By the Wayside
A trio that touches upon the complexity of communication.

Choreographer: Matthew Howells
Dancers: Jane Coulston, Matthew Howells, Roxanne Mortimer
Music: hangable auto bulb

 



 
Cloud Dance PDF Print E-mail

Cloud Dance
A Thousand Conversations
"Only a hundred conversations
as we didn't have as much time...."

 

Do not speak unless you can improve the silence.

Or why so many attempts to communicate are

nullified by saying too much.

Choreographer: Dana Kolesarova

Dancers: Jillian Stein, Lisa Hood, Wan-Chen Chang,
 Edyth Cormack, Louise Hanisch, Claudia Selfe,
 Dana Kolesarova, Katie Thies,
Margarita Maniati, Nina Brünner

 

 With kind thanks: Ciba Barnik, Adeline Yong,
 Chantal Guevara, Fanny Lacoste

 

Music: Nitin Sawnhey

 

Cloud Dance
How I Survived Borscht?
"about women, love, despair, onions, beetroot
and a tent. And PJ Harvey's early music."


Choreographer: Amandine Vighi
Dancers: Dana Kolesarova, Amandine Vighi, Jillian Stein,
 Wan-Chen Chang, Chantal Guevara, Fanny Lacoste,
Nina Brünner, Margarita Maniati,
 Ciba Barnik, Edyth Cormack


With kind thanks: Laura Newman

 

Onion Girl: Chantal Guevara
Music: P J Harvey

Costumes: Abee Abee

 
Freefall Physical Theatre PDF Print E-mail

Freefall Physical Theatre
Forget Me Not

 

This is a portrayal of a couple going through the

motions of a relationship when the spark has faded,

and their hopeful past is now a diminishing

memory... forget me not.

Choreographers: John Healey & Lisa Hood
Dancers: John Healey & Lisa Hood
Music: Qua

 
Kerstin Schellander PDF Print E-mail
Solo for Two
Choreographers & Dancers:
Alexandra Wingate & Kerstin Olivia Schellander

 

This project is a research about the two of us
creating a solo together; It deals with the
choreographer/performer and the friend/colleague
 dynamics which exist within the collaboration.

Two equal dance artists and friends meet and by
 letting the process slowly unfold ask the question:
 Where does “the dance” come from?

By defining edges of improvised movement
and then diving deeper into it we are searching
for the ambiguity and the multiple meanings
 existing in the solo.


Kerstin Schellander is originally from Austria,
Alexandra Wingate comes from Sweden. Both of us
 studied at the Laban Dance Center where we found
 each other as friends and collaborators. We have now
 been working and researching together for over
 a period of three years.

 
Lisa Hood PDF Print E-mail
Lisa Hood
Elddup (a segment)


This is a small 10 minute extract from the original

piece which was performed in Peckham at the Sassoon

Gallery.

The original piece is 30 minutes long and was performed

outdoors with buckets, benches, tunnels and

lots of concrete!


Choreographer: Lisa Hood
Dancers: Sharon Day, Catrin Lewis, Lisa Hood.

Music: tbc

 
Scarlett Perdereau PDF Print E-mail


Scarlett Perdereau

Rear Window/She, Moves, Me

Solo extract from ‘Rear Window/She, Moves, Me,’ a dance theatre piece inspired by the portrayal of women in films and photography: Hitchcock and Fifties retro, Pedro Almodovar, Helmut Newton… It explores rituals of womanhood, privacy vs. voyeurism and female complicité. The choreography plays around with clichés while revealing snippets of what the ‘real’ women behind the characters might be. This work-in-progress solo intends to encapsulate those themes through a more intimate and idiosyncratic language.

Choreographer: Scarlett Perdereau
Dancers: Jinji Garland & Eva Voulgari
Music: Pan Sonic, Pink Martini, Twenties Blues Songs, Laurent Garnier

 
Silversmith Dance Company PDF Print E-mail

 

Silversmith Dance Company
Products of Conception II (reworked)

 

Products of Conception II (reworked), originally a

male duet, has been recreated into an emotive

solo performance, which explores the loss of

parenthood and loneliness, and was premiered

at Ladyfest, The Carriageworks, Leeds

(13/04/07)

 

Choreographer: Lorraine Smith
Dancers: Colin McLean
Music: Composed by John Chambers

 

 

 

 

 
Sylvia Ferreira Dance Company PDF Print E-mail
 

Sylvia Ferreira Dance Company
Marks That Behold

 

''Marks that Behold' attempts to entice the dark and light
images of the Catholic Religion; the work explores the
dancer's interpretation of those images however the
piece does not attempt to make a statement about the
religion, that is what the audience is there for.

 

'The nails that bore him down
Are what pieced me back together
And though I carry the marks for eternity
They remind me to be thankful for the life I have now forever'
-Jacqui Johnston
 

Choreographer: Sylvia Dos Santos Ferreira
Dancers: Jacqui Johnston, Lorraine Smith, Jillian Stein
Music: Composed by John Chambers

 
Vivien Bridson PDF Print E-mail
 
Vivien Bridson
Fates


Our piece is made using structured improvisations
which arose from different sources; from mythological

to contemporary. Within it are the themes of

calmness and conflict, serenity, aggression

and isolation.
It is a work in progress.


Choreographer: The whole Company, directed by Vivien Bridson
Dancers: Vesna Grandes, Linda Hogg, Ellie Raymont,
 Irene Arroyo Laguilla, Natasha Lowe
Music: Dov Waterman

 
What PDF Print E-mail

Cloud Dance Festival was founded in 2007 as an extension of Cloud Dance, a part-time contemporary dance company, in recognition of the disproportionate shortage of  available performance opportunities despite the wealth of contemporary dance talent in London.

Cloud Dance Festival has evolved into a thrice-yearly London-based contemporary dance festival and serves as a platform for emerging and established national and international contemporary dance companies. The festival presents companies at different stages of their careers, and with a small number of them returning regularly, this offers the audiences an opportunity to follow the development of young dance artists. The frequency and location of the festival guarantees a regular update of the newest trends in the contemporary dance world at different times of the year. Cloud Dance Festival is committed to advancing and supporting high quality new contemporary dance professionals; supporting emerging artists will have a lasting impact on the industry and its future.

We have currently presented eight festivals, comprising eighty companies, of which 22 have performed in more than one festival. Our past headliners have included FFIN Dance, Pair Dance, Ijad Dance Company, Drew McOnie Dance Theatre, Dam Van Huynh, Hagit Yakira, Dena Lague and Sophia Hurdley; festival highlights have included Olivia Vella, Daniela Larsen & Rob Guy, Eade & Perkins Presents..., MIKS, Nexus Dance, Pangaea Dance, Raymond Tait Dance, Taciturn, The Ticket Theatre Dance and Vex Dance Theatre.

Currently Cloud Dance Festival is self-funded, receiving its entire income through box office sales. This has so far been more or less sufficient, but the expansion of the festival has resulted in the need to hire higher quality venues and equipment and therefore we are in urgent need of funding in order to achieve this. In addition, we have been completely dependent upon our support staff working at reduced rates or for free, however we will need to start paying them for their services in order to retain them for future festivals.

The next year will be an important period of development for the festival. The festival recognises the need to secure funding in order to maintain and support the festival’s growth. The festival will face challenges of consolidating its position within the industry as well as establishing stronger relationships with audiences, funders and potential performers. We have applied for charitable status; this will help the festival meet our funding objectives and therefore provide better a environment for the new and emerging dance talent to thrive.

Future plans for the festival include developing the reputation of the festival, obtaining and sustaining funding, consolidating the festival identity, preparing audience development strategies and gaining wider participation, and developing relationships with other arts organisations, professional training institutions, local authorities and communities. Some of the initiatives we have identified for the next stage of the festival’s growth are:
-    commissioning new works
-    an Associate Artist scheme, to formalise our support of specific choreographers
-    Career development workshops, which will be open to non-participants
-    a series of industry-specific talks and debates, open to the public
-    An Awards scheme, to recognise exceptional talent
-    “Gala” festivals at the end of each year to present the best of that year’s performers

Cloud Dance Festival is committed to supporting the participating choreographers’ careers beyond the festival through promoting them and offering feedback from their performances. Plans to offer career development advice alongside the festival have been drafted. The reputation of the festival has been already recognised by the dance community in London and the festival has been recommended by Resolution! for career development opportunities.

The future sees Cloud Dance Festival developing further into a vibrant, thrice-yearly meeting for students, young professionals and innovative companies alike bringing talent and ideas together in a mutually supportive environment.

 


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